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10
4 Guitares (Quatuor)
6
Banjo
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2 Guitares (duo)
4
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Chorale, Orgue
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Chorale SSAB a cappella
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Chorale SATBB
6
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5
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4
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816
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685
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554
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393
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135
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100
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81
Clarinette et Piano
74
Quatuor de Clarinettes: 4 clarinettes
61
Hautbois, Piano (duo)
43
Saxophone Alto et Piano
40
Flûte et Guitare
37
Quatuor de Flûtes : 4 flûtes
35
2 Saxophones (duo)
29
Quintette de Saxophone: 5 saxophones
27
Clarinette
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Saxophone Tenor et Piano
23
Flûte traversière
21
3 Saxophones (trio)
17
Saxophone Soprano et Piano
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Quatuor de Flûtes à bec
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Cor anglais, Piano
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2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
14
Flûte, Clarinette, Cor, Basson (Quartet)
12
Flûte à Bec
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Clarinette (duo)
12
Saxophone Alto
12
3 Flûtes à bec (trio)
12
Flûte à bec Soprano
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11
Trio de Flûtes: 3 flûtes
9
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8
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116
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57
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54
Trompette, Piano
50
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38
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32
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32
Trompette
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Euphoniums et 2 Tubas
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Cor anglais, Piano
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Trombone
11
Cor
10
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10
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Trompette, Trombone (duo)
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2 Trombones (duo)
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Tuba et Piano
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2 Cors (duo)
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3 Tubas (trio)
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Tuba et Orgue
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3
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Cornet A Pistons
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31
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Harpe
23
Violon, Violoncelle (duo)
18
4 Violoncelles
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Violoncelle
12
Alto seul
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9
Contrebasse, Piano (duo)
9
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8
Quintette à cordes: 2 violons, alto, violoncelle, basse
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2 Violoncelles (duo)
8
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Trio à Cordes: 3 violoncelles
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Trio à cordes: 3 violins
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Quatuor à cordes: 4 violons
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Trio à cordes
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Trio à cordes: 3 altos
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Quatuor à cordes : 4 altos
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Contre Basse
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Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon, Violoncelle
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Harpe, Flûte (duo)
3
Alto, Guitare (duo)
2
Alto et Basson
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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4 Contrebasses
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878
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673
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542
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339
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163
Fanfare
140
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96
Cloches
72
Piano et Orchestre
71
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63
Timbales (partie séparée)
58
Orchestre de chambre
54
Orchestre, Violon
17
Jazz combo
10
Percussion
8
Marimba
8
Vibraphone (partie séparée)
7
Ensemble de Percussions
4
Instrumentation Flexible
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Vibraphone
3
Xylophone, Piano
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Caisse Claire
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Big band
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AUTRES
Papeterie
1
Vous avez sélectionné:
CHORAL - VOCAL - CHOIR
Piccolo, Piano
Partitions à imprimer
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ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment
Piccolo, Piano
Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Compose…
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Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320311. Published by Leyandder Trustworthy (A0.964366). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piccolo along with a piano accompaniment that comes with the product.
$1.99
1.86 €
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Piccolo, Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Sullivan: The Lost Chord for Piccolo & Piano
Piccolo, Piano
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Compose…
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Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur OâLeary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâs The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
25.15 €
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Piccolo, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
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